![]() Everything we want in an exciting Star Wars project is at play in The Acolyte, which is expected to be released at some point in 2024.Ĭoming from Leslye Headland (who co-created Russian Doll for Netflix), the show is set in a time period we've never seen before: the High Republic era, which is approximately 100 years before the events of The Phantom Menace and has not yet been depicted in live-action. ![]() A proven streaming-era creator/showrunner? Check. Uncharted waters in this massive universe? Check. Upcoming Star Wars Shows Ahsoka (August 2023) Here's a look at all the Star Wars shows and movies that could be on the horizon. ![]() ![]() But if and when these future Lucasfilm projects come to fruition and we can finally see them, it should (hopefully!) get even better. etc.), there finally seems to be some big screen movement in addition to the small screen churn.ĭespite some variance in quality and a slight tendency for hyperbole, it's been undeniably a good decade to be a Star Wars fan. But after several false starts for planned big screen events (we'll never know what we missed out on in the numerous cancelled Star Wars films, including the trilogy from Benioff and Weiss, Damon Lindelof's movie, JD Dillard's movie, Patty Jenkins' movie, etc. There aren't many films that give their legions of fans that magic feeling when they start to roll on a giant, silver screen, but Star Wars is one of them.ĭisney isn't stopping its Star Wars shows quite the contrary, in fact. And while there's been some success for Lucasfilm on streaming, this is a franchise that always has aimed higher. The Mandalorian has been joined by shows such as The Book of Boba Fett, Obi-Wan Kenobi, and the masterful Rogue One prequel Andor. We can get back to the other stuff later.Īnd so for the last four years, Star Wars has been confined only to the small screen. The success of both The Mandalorian and the one-off Star Wars film Rogue One ( Solo's response was a bit more lukewarm) sent Disney a strong message: for now, just focus on side stories. Disney had lost the plot.īut in 2019, during the lead-up to Rise of Skywalker, Disney found a new massive success: The Mandalorian, which came along with the launch of the new streaming service Disney+. That would be the peak while the next two installments in the trilogy would continue to make lots of money, The Last Jedi was polarizing (though, if you ask me, it's great), and The Rise of Skywalker closed out the new trilogy with a mess of a film that spent more time introducing shoddy plot points and trying to undo The Last Jedithan anything that people who had Star Wars fever really wanted to see. And things started off great, as 2015's Star Wars: The Force Awakens was widely loved and earned more than 2 billion at the box office. The plan materialized quickly: a sequel trilogy would hit theaters every other year, starting in 2015, with other films filling in blanks in the ever-expansive Star Wars universe. There was a real, serious thirst for more Star Wars, and fast Disney recognized a real ability to quench that thirst, and make a whole lot of money in the process. When Disney acquired Lucasfilm in 2012 for $4 billion, it had actually only been seven years since the most recent Star Wars movie, 2005's Revenge of the Sith-but it somehow felt like much longer. IT'S BEEN quite the decade in a galaxy far, far, away.
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